![]() ![]() ![]() The digital compressors we have semi-randomly selected for this shootout are a mix of ones we thought would be a useful ‘starter for ten’ and let you get a sense of ones that are similar in fundamental aspects. We'll be doing an Analog Compressors as well and then let you compare and shootout the digital favorites vs the analog favorites. This shootout review focuses on Digital Plugin Compressors as requested by many Gearshoot users. Plus we’re sure most people agree it is fun smashing the crap out of drums. Having a quick reference guide that can give you an immediate sense of which compressor will get you the tone you want straight off the bat is a useful thing to have we think. ![]() If you would like to hear some of the compressors in this shootout test at more sensible and polite levels just go to the preset menu and type ‘Digital Buss Comps’ and you will find a number of shootouts at lower compression amounts to test yourself on (offering you the best of both worlds).Īnother reason we decided that this test was important is thanks to the popularity of parallel compression, and its effectiveness in particular on drums. Understanding you are busy people we thought we’d dispense with subtlety on this occasion and let the range of compressors shout their differences for all the world to hear. Many compressors are, (you will find if you load them up in the shootout players) more similar in character at the lower amounts of compression, so any tests and shootouts would take a bit more of your listening time and focus. One of the extra advantages of a shootout test such as this is that it really shows off how the character of how the compressors diverge, and where each one can take you when you push them hard. We wanted to do this shootout, that is at the more extreme end of what you would likely be doing as one that has been requested lots, and also appeals to our personal love for distortion. ![]()
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